Soft, undulating lines on a matted surface, contrasting color shades within an overall monochromatic gamut ranging between a light and dark coppery brown, interspersed with contrasts of shadow and light. This is a fairly accurate description of the Zur surface texture, but what really sets it apart is that it evokes the process of sand animation. That’s when the performer uses softly streaming sand to create quick images on a backlit glass surface, either depicting a preconceived subject or improvising, prompted along by their fingertips touching the medium. In Zur, all lines and shapes appear to be alive, as though just born out of the performer’s imagination. One feels the urge to continue the image in the particular interior one has in mind, fine-tuning the animation scene so it dovetails with the chosen design concept.

Сообщение Zur появились сначала на Metal Workshop.

In that ABC, Ukon would in most likelihood correspond to the surface terrain of a sandy beach with its little sand hills, delicate chiaroscuro, pinkish-beige pastel hues of brass, and a pleasant matted roughness. You could give a visually impaired person a pretty good account of the bird’s eye view of a sandy beach, asking them to simultaneously explore the Ukon surface topography with their palm and fingers. What they cannot see with their eyes, they will picture through tactile perception. The picture will be an accurate one, because the creators of this surface finish have put their impeccable craftsmanship, the warmth of their hands, and their passionate aspiration to create a living image into their work.

As for us, we stand witness to the metal playing yet another novel part, donning an entirely new outfit, impersonating a new character, all leading towards new opportunities to appear in creative applications guaranteed to wow and impress.

Сообщение Ukon появились сначала на Metal Workshop.